{"id":3735,"date":"2026-11-03T18:32:50","date_gmt":"2026-11-03T18:32:50","guid":{"rendered":"https:\/\/wireframe.ca\/meryl-mcmaster-on-fragile-harmonies-and-the-stories-the-land-holds\/"},"modified":"2026-11-03T19:51:12","modified_gmt":"2026-11-03T19:51:12","slug":"meryl-mcmaster-harmonies-fragiles-et-la-memoire-des-lieux","status":"publish","type":"post","link":"https:\/\/wireframe.ca\/fr\/meryl-mcmaster-harmonies-fragiles-et-la-memoire-des-lieux\/","title":{"rendered":"Meryl\u00a0McMaster :\u00a0Harmonies fragiles\u00a0et\u00a0la\u00a0m\u00e9moire\u00a0des\u00a0lieux"},"content":{"rendered":"\n

\u00c0 travers ses autoportraits photographiques et sa po\u00e9sie, l\u2019artiste canadienne Meryl McMaster<\/strong>, d\u2019ascendance n\u00eahiyaw (Crie des Plaines), M\u00e9tisse, britannique et n\u00e9erlandaise, explore l\u2019identit\u00e9, les histoires ancestrales et notre relation \u00e0 la terre. Avec Harmonies fragiles<\/a><\/strong><\/em>, pr\u00e9sent\u00e9e \u00e0 l\u2019aide des structures de Bloom<\/a><\/strong>, elle fait entrer ces r\u00e9flexions dans l\u2019espace public et invite les publics \u00e0 s\u2019interroger sur l\u2019\u00e9quilibre fragile entre les \u00eatres, les lieux et la m\u00e9moire. <\/h3>\n\n\n\n

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Dans vos autoportraits, vous cr\u00e9ez des figures qui semblent \u00e0 la fois \u00e9merger du paysage et lui appartenir. Comment construisez-vous cette relation entre votre corps, vos costumes sculpturaux et les lieux o\u00f9 vous r\u00e9alisez vos photographies ?<\/strong> <\/p>\n\n\n\n

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Lorsque je me rends dans un paysage pour pr\u00e9parer une photographie, j\u2019essaie de comprendre\u00a0quelle\u00a0est ma place dans le monde et comment mon histoire fa\u00e7onne mon identit\u00e9. Mes origines sont \u00e0 la fois\u00a0n\u00eahiyaw\u00a0(Crie des Plaines), je viens de la Premi\u00e8re\u00a0Nation\u00a0de Red Pheasant Cree et je suis membre de la Nation\u00a0Siksika, et euro-canadiennes. Une grande partie de mon travail consiste donc \u00e0 naviguer entre ces deux univers.\u00a0Je ne\u00a0consid\u00e8re\u00a0pas\u00a0mes\u00a0autoportraits\u00a0comme\u00a0des\u00a0\u0153uvres\u00a0qui\u00a0parlent\u00a0uniquement\u00a0de moi. Les\u00a0personnages\u00a0que\u00a0je construis\u00a0et\u00a0que\u00a0j\u2019incarne\u00a0ressemblent\u00a0davantage\u00a0\u00e0 des figures\u00a0porteuses\u00a0de\u00a0r\u00e9cits.\u00a0Ils\u00a0me\u00a0permettent\u00a0de passer du pass\u00e9 au\u00a0pr\u00e9sent,\u00a0ou\u00a0de\u00a0l\u2019espace\u00a0physique \u00e0 la\u00a0m\u00e9moire, et\u00a0d\u2019observer\u00a0comment la terre conserve\u00a0toutes\u00a0ces\u00a0histoires. La\u00a0cr\u00e9ation\u00a0manuelle\u00a0des sculptures et des\u00a0v\u00eatements\u00a0que\u00a0je\u00a0porte\u00a0fait\u00a0partie\u00a0int\u00e9grante\u00a0de\u00a0cette\u00a0d\u00e9marche.\u00a0Lorsque\u00a0je les\u00a0enfile\u00a0enfin\u00a0et\u00a0que\u00a0je me\u00a0tiens\u00a0dans les\u00a0\u00e9l\u00e9ments, je me\u00a0sens\u00a0parfois\u00a0particuli\u00e8rement\u00a0expos\u00e9e\u00a0et\u00a0vuln\u00e9rable. Mais\u00a0cela\u00a0cr\u00e9e\u00a0aussi\u00a0un\u00a0espace\u00a0de\u00a0calme\u00a0propice\u00a0\u00e0 la\u00a0r\u00e9flexion\u00a0sur le foyer, la famille et\u00a0nosorigines\u00a0communes.\u00a0<\/p>\n\n\n\n

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Vos costumes sculpturaux sont souvent fabriqu\u00e9s \u00e0 partir de mat\u00e9riaux naturels. Qu\u2019est-ce que le travail avec ces mat\u00e9riaux vous permet d\u2019exprimer que d\u2019autres mat\u00e9riaux ne permettraient pas ?<\/strong> <\/p>\n\n\n\n

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Travailler\u00a0avec des\u00a0mat\u00e9riaux\u00a0naturels,\u00a0comme\u00a0les plumes, les branches, la\u00a0fourrure, la terre\u00a0ou\u00a0les\u00a0v\u00e9g\u00e9taux,\u00a0relie\u00a0directement\u00a0l\u2019\u0153uvre\u00a0\u00e0 la terre et \u00e0\u00a0l\u2019environnement\u00a0dont\u00a0elle\u00a0provient.\u00a0Ces\u00a0mat\u00e9riaux\u00a0portent d\u00e9j\u00e0\u00a0leur\u00a0propre histoire,\u00a0leur\u00a0m\u00e9moire\u00a0et\u00a0leur\u00a0pr\u00e9sence, bien avant\u00a0que je les\u00a0touche. Les\u00a0mat\u00e9riaux\u00a0synth\u00e9tiques\u00a0ou\u00a0manufactur\u00e9s\u00a0ne\u00a0poss\u00e8dent\u00a0pas\u00a0ce\u00a0m\u00eame\u00a0lien vivant\u00a0ni\u00a0cette\u00a0m\u00eame\u00a0inscription dans le temps.\u00a0Lorsque\u00a0je\u00a0r\u00e9colte\u00a0ou\u00a0int\u00e8gre\u00a0des\u00a0\u00e9l\u00e9ments\u00a0naturels\u00a0\u00e0\u00a0mes\u00a0cr\u00e9ations, je\u00a0peux\u00a0\u00e9tablir\u00a0un lien physique entre\u00a0mon\u00a0corps et la terre.\u00a0Cela\u00a0apporte\u00a0\u00e0\u00a0l\u2019\u0153uvre\u00a0une\u00a0forme\u00a0d\u2019authenticit\u00e9\u00a0tactile,\u00a0ancre\u00a0le\u00a0personnage\u00a0dans le\u00a0paysage\u00a0et\u00a0reconna\u00eet\u00a0le monde vivant\u00a0comme\u00a0un\u00a0acteur\u00a0\u00e0 part\u00a0enti\u00e8re\u00a0du\u00a0r\u00e9cit,\u00a0plut\u00f4t\u00a0que\u00a0comme\u00a0un simple d\u00e9cor.\u00a0<\/p>\n\n\n\n

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\"Meryl
Photo : Meryl McMaster<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

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Pouvez-vous nous en dire davantage sur votre processus cr\u00e9atif et votre approche artistique ?<\/strong> <\/p>\n\n\n\n

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Mon processus\u00a0cr\u00e9atif\u00a0est\u00a0assez\u00a0lent et\u00a0m\u00e9thodique. Il commence\u00a0g\u00e9n\u00e9ralement\u00a0bien avant\u00a0que\u00a0j\u2019appuie\u00a0sur le\u00a0d\u00e9clencheur\u00a0de\u00a0l\u2019appareil\u00a0photo. Tout\u00a0d\u00e9bute\u00a0presque\u00a0toujours\u00a0par de la recherche et de la\u00a0r\u00e9flexion\u00a0: des lectures,\u00a0l\u2019exploration\u00a0d\u2019histoires\u00a0familiales\u00a0ou\u00a0une\u00a0r\u00e9flexion autour\u00a0de\u00a0r\u00e9cits\u00a0et\u00a0d\u2019environnements\u00a0particuliers. Je\u00a0commence\u00a0ensuite \u00e0\u00a0esquisser\u00a0des\u00a0id\u00e9es\u00a0et \u00e0\u00a0concevoir\u00a0les\u00a0pi\u00e8ces\u00a0sculpturales\u00a0ou\u00a0les\u00a0v\u00eatements\u00a0que\u00a0je\u00a0souhaite\u00a0cr\u00e9er. La fabrication\u00a0manuelle\u00a0de\u00a0ces\u00a0\u00e9l\u00e9ments\u00a0que\u00a0je\u00a0porterai\u00a0occupe\u00a0une\u00a0grande\u00a0partie\u00a0de\u00a0mon\u00a0temps,\u00a0parfoispendant des\u00a0semaines\u00a0ou\u00a0des\u00a0mois. Je\u00a0rassemble\u00a0des\u00a0mat\u00e9riaux,\u00a0fa\u00e7onne\u00a0les structures et\u00a0cherche\u00a0\u00e0\u00a0comprendre\u00a0comment\u00a0elles\u00a0interagiront\u00a0avec le corps. Une\u00a0fois\u00a0les sculptures et les\u00a0v\u00eatements\u00a0termin\u00e9s, je\u00a0rep\u00e8re\u00a0des\u00a0lieux\u00a0en\u00a0pleine\u00a0nature qui me\u00a0semblent\u00a0correspondre\u00a0au\u00a0r\u00e9cit\u00a0que\u00a0je\u00a0souhaite\u00a0raconter. La s\u00e9ance photo\u00a0elle-m\u00eame\u00a0est\u00a0souvent\u00a0l\u2019\u00e9tape\u00a0la plus\u00a0rapide\u00a0de tout le processus,\u00a0mais\u00a0c\u2019est\u00a0aussi\u00a0le moment\u00a0o\u00f9\u00a0tout converge. Le fait d\u2019\u00eatre dans le\u00a0paysage, de composer avec les\u00a0\u00e9l\u00e9ments\u00a0et\u00a0d\u2019incarner\u00a0le\u00a0personnage\u00a0donne\u00a0vie \u00e0 la vision\u00a0d\u2019unemani\u00e8re\u00a0organique\u00a0et\u00a0aboutie.\u00a0<\/p>\n\n\n\n

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Le titre Harmonies fragiles<\/em> est tir\u00e9 de votre po\u00e8me What Will I Say to the Sky and the Earth I & II<\/em>. Que signifie pour vous aujourd\u2019hui l\u2019id\u00e9e d\u2019une \u00ab harmonie fragile \u00bb ?<\/strong> <\/p>\n\n\n\n

Pour moi,\u00a0l\u2019expression\u00a0\u00ab\u00a0harmonie\u00a0fragile \u00bb\u00a0\u00e9voque\u00a0l\u2019\u00e9quilibre\u00a0d\u00e9licat\u00a0qui\u00a0existe\u00a0en\u00a0nous et\u00a0autour\u00a0de nous. Elle\u00a0renvoie\u00a0\u00e0\u00a0notre\u00a0relation \u00e0\u00a0l\u2019environnement, au\u00a0temps,\u00a0ainsi\u00a0qu\u2019\u00e0\u00a0nos\u00a0histoires\u00a0personnelles\u00a0et collectives.\u00a0L\u2019harmonie\u00a0n\u2019est\u00a0pas un \u00e9tat permanent et\u00a0immuable.\u00a0C\u2019est quelque chose qui\u00a0n\u00e9cessite\u00a0constamment\u00a0de\u00a0l\u2019attention, de\u00a0l\u2019\u00e9coute\u00a0et des\u00a0soins\u00a0pour se\u00a0maintenir.\u00a0Aujourd\u2019hui,\u00a0lorsque\u00a0nous\u00a0observons\u00a0notre\u00a0relation au monde naturel\u00a0ou\u00a0la mani\u00e8re\u00a0dont\u00a0nous\u00a0composons\u00a0avec des\u00a0identit\u00e9s\u00a0et des histoires complexes,\u00a0cet\u00a0\u00e9quilibre\u00a0semblesouvent\u00a0vuln\u00e9rable.\u00a0Pourtant,\u00a0cette\u00a0fragilit\u00e9\u00a0rec\u00e8le\u00a0aussi\u00a0une\u00a0force et\u00a0une\u00a0r\u00e9silience\u00a0extraordinaires. Elle nous\u00a0rappelle\u00a0l\u2019importance\u00a0d\u2019avancer\u00a0avec\u00a0d\u00e9licatesse, de\u00a0rester\u00a0en\u00a0lien avec la terre et\u00a0d\u2019honorer\u00a0les\u00a0fils\u00a0subtils\u00a0qui nous\u00a0ancrent\u00a0dans le monde.\u00a0<\/p>\n\n\n\n

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\"Meryl
Photo : Meryl McMaster<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

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Une s\u00e9lection de vos po\u00e8mes sera pr\u00e9sent\u00e9e aux c\u00f4t\u00e9s des photographies dans Harmonies fragiles<\/em>. Comment la po\u00e9sie et la photographie dialoguent-elles entre elles ?<\/strong> <\/p>\n\n\n\n

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La po\u00e9sie et la photographie naissent toutes deux de ce m\u00eame espace de r\u00e9flexion int\u00e9rieure, mais elles s\u2019expriment de mani\u00e8res diff\u00e9rentes. Pour moi, \u00e9crire de la po\u00e9sie est une autre fa\u00e7on d\u2019esquisser des id\u00e9es et de cheminer \u00e0 travers mes \u00e9motions, avant ou pendant la cr\u00e9ation d\u2019une image. Lorsqu\u2019ils sont pr\u00e9sent\u00e9s ensemble, les po\u00e8mes ne servent pas \u00e0 expliquer directement les images ni \u00e0 leur donner une l\u00e9gende. Ils agissent plut\u00f4t comme des voix qui les accompagnent. Les photographies saisissent un instant pr\u00e9cis, fig\u00e9 dans le paysage, tandis que les po\u00e8mes proposent un r\u00e9cit int\u00e9rieur qui donne de l\u2019ampleur aux pens\u00e9es, aux souvenirs et aux sensations qui ne sont pas visibles dans cet instant. Ils cr\u00e9ent ainsi un dialogue entre ce qui est vu et ce qui est ressenti, offrant aux publics une autre ported\u2019entr\u00e9e dans l\u2019\u0153uvre. <\/p>\n\n\n\n

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L\u2019exposition est pr\u00e9sent\u00e9e \u00e0 l\u2019aide des structures de Bloom, qui font partie int\u00e9grante du dispositif. Comment envisagez-vous le dialogue entre vos photographies, ces structures et les lieux o\u00f9 l\u2019exposition peut prendre place ?<\/strong> <\/p>\n\n\n\n

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L\u2019installation\u00a0des structures de Bloom dans des\u00a0espaces\u00a0publics\u00a0ext\u00e9rieurs\u00a0transforme\u00a0compl\u00e8tement\u00a0ce\u00a0dialogue. Elle sort\u00a0l\u2019\u0153uvre\u00a0du cadre\u00a0traditionnel\u00a0de la\u00a0galerie\u00a0aux\u00a0murs\u00a0blancs\u00a0pour la replacer dans\u00a0l\u2019environnement\u00a0vivant\u00a0o\u00f9\u00a0les\u00a0photographies\u00a0ont\u00a0vu le jour.\u00a0Plut\u00f4t\u00a0que d\u2019\u00eatre\u00a0simplement\u00a0accroch\u00e9es\u00a0\u00e0 des\u00a0murs\u00a0conventionnels, les images\u00a0s\u2019inscrivent\u00a0dans un\u00a0environnement\u00a0immersif\u00a0\u00e0\u00a0ciel\u00a0ouvert,\u00a0o\u00f9\u00a0les publics\u00a0peuvent\u00a0circuler\u00a0autour\u00a0des\u00a0\u0153uvres, les traverser et se\u00a0d\u00e9placer\u00a0entre\u00a0elles.\u00a0Cela fait\u00a0\u00e9cho\u00a0\u00e0 ma propre\u00a0exp\u00e9rience\u00a0du\u00a0paysagenaturel,\u00a0o\u00f9\u00a0la\u00a0m\u00e9moire,\u00a0l\u2019espace\u00a0et les chemins\u00a0que\u00a0nous\u00a0empruntons\u00a0sont\u00a0fluides\u00a0et\u00a0multidimensionnels.\u00a0\u00c0\u00a0l\u2019ext\u00e9rieur, le dialogue\u00a0prend\u00a0la\u00a0forme\u00a0d\u2019une\u00a0atmosph\u00e8re\u00a0partag\u00e9e\u00a0entre la\u00a0pr\u00e9sence\u00a0physique des structures, la lumi\u00e8re et les saisons\u00a0changeantes, et la\u00a0communaut\u00e9environnante.\u00a0L\u2019exposition\u00a0invite\u00a0ainsi\u00a0les\u00a0personnes\u00a0qui\u00a0vaquent\u00a0\u00e0\u00a0leurs\u00a0occupations\u00a0quotidiennes\u00a0\u00e0 faire\u00a0une\u00a0pause, \u00e0\u00a0entrer\u00a0dans\u00a0cette\u00a0exp\u00e9rience\u00a0et \u00e0\u00a0r\u00e9fl\u00e9chir\u00a0\u00e0\u00a0leur\u00a0propre relation aux\u00a0lieux, \u00e0\u00a0l\u2019histoire\u00a0et au monde naturel.\u00a0<\/p>\n\n\n\n

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\"Bloom
Visuel : Orphisme \u00b7 Photos : Meryl McMaster<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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En pr\u00e9sentant Harmonies fragiles<\/a><\/strong><\/em> dans l\u2019espace public, l\u2019exposition prolonge les r\u00e9flexions de Meryl McMaster au-del\u00e0 du cadre photographique et invite les publics \u00e0 s\u2019interroger sur leurs propres liens avec la terre et les histoires qu\u2019elle porte en elle. Gr\u00e2ce aux structures de Bloom<\/a><\/strong>, Wireframe ouvre de nouveaux contextes de rencontre avec l\u2019art, au-del\u00e0 des lieux d\u2019exposition traditionnels, et cr\u00e9e des occasions de d\u00e9couverte qui s\u2019inscrivent dans le rythme de la vie quotidienne. <\/p>\n\n\n\n

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\u00c0 travers ses autoportraits photographiques et sa po\u00e9sie, l\u2019artiste canadienne Meryl McMaster, d\u2019ascendance n\u00eahiyaw (Crie des Plaines), M\u00e9tisse, britannique et n\u00e9erlandaise, explore l\u2019identit\u00e9, les histoires ancestrales et notre relation \u00e0 la terre. Avec Harmonies fragiles, pr\u00e9sent\u00e9e \u00e0 l\u2019aide des structures de Bloom, elle fait entrer ces r\u00e9flexions dans l\u2019espace public et invite les publics \u00e0 s\u2019interroger sur l\u2019\u00e9quilibre fragile entre les \u00eatres, les lieux et la m\u00e9moire.<\/p>\n","protected":false},"author":6,"featured_media":3442,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[32,58,59,33],"tags":[],"class_list":["post-3735","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-public","category-exposition-de-photographies","category-exterieur-2","category-mobilier-urbain"],"acf":[],"yoast_head":"\nMeryl\u00a0McMaster :\u00a0Harmonies fragiles\u00a0et\u00a0la\u00a0m\u00e9moire\u00a0des\u00a0lieux - Wireframe<\/title>\n<meta name=\"description\" content=\"\u00c0 travers ses autoportraits photographiques et sa po\u00e9sie, l\u2019artiste canadienne Meryl McMaster, d\u2019ascendance n\u00eahiyaw (Crie des Plaines), M\u00e9tisse, britannique et n\u00e9erlandaise, explore l\u2019identit\u00e9, les histoires ancestrales et notre relation \u00e0 la terre.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/wireframe.ca\/fr\/meryl-mcmaster-harmonies-fragiles-et-la-memoire-des-lieux\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Meryl\u00a0McMaster :\u00a0Harmonies fragiles\u00a0et\u00a0la\u00a0m\u00e9moire\u00a0des\u00a0lieux - 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